london based punk duo black volume are not easy to classify. their delirious industrial post punk sounds at times like proto house and at times becomes some sort of mutant electro. their b series sound is made of a conglomerate of filthy percussions, unexpected samples and something with the appearance of melody, with a weirdly addictive result. black rubber is james brown wearing black leather at 40ºc (in the shade) while suffering a mental breakdown. excentric melodies sliding down rhythmic dislexia. negative return blooms from an improvised beat with no traceable sequence, on top of which we find rubbery synth lines, creamy interferences and mysterious sampling, everything sounds like melting from old vhs footage with the future we enter a romantic dystopia. sensual and passionate but equally crunchy, it rises up through cheap calculator arpeggios, pitched vocals and obsessive bass lines. streetfight evoques a desolate landscape, devastated and radioactive. distant echoes from an extinguished human race that left behind only majestic rusty ruins.

this one is dedicated to the female medical college of pennsylvania. identified patient is identified but yet unknown. artwork by google streetview. machinedrums not machineguns.

shlomo opens the ep with a deep and droning, yet uptempo track. ben gibson continues on the a-side with a synth and tom-driven track, in which the main synth really draws you into the track. takaaki itoh is put on the b1 spot and continues the deep vibe the artists set on the a-side, yet in a more minimalistic way. his track keeps on evolving and growing ever more, while the track in it s core does not change that much. overall severity closes the ep off with a moody banger. this dance floor oriented track focuses on percussive elements and the drums a lot. this track is one of the last ones made by the late max_m, who formed overall severity together with wrong asessment, which makes this ep a little bit more special. four different artists, but a great sounding ep with four tracks that compliment each other really well!

the next -rough cutz- is coming up with 4 tracks from artists we really like. we would like to support these guys with a vinyl only release on rough limited. it includes tracks of our friend manu aka. manooz from mannheim, our two buddies from berlin nick beringer & ed herbst, our latest family member martin aka. annéke laurent and last but not least tobi danton - the second part of rough recordings & rough limited. enjoy!

a study in simplicity and its power on the dancefloor. 4 diverse, american-inspired tracks ranging from a 130bpm wonky techno scorcher to a love letter penned to classic chicago house

music is about discourse: it’s about ideas, about the intellectual project. anyone can build a “beat”, but not everybody can produce an interesting argument for it. this implies the idea of romanticism as a notion of tradition and respect for certain rules. romanticism understood as virtuosity in the manipulation of art production tools. virtuosi of their own methodology. certain pedigree of virtuosity is definitely needed…but in many regards it also remains an extremely conventional formalism, which is at the core of every artist. it doesn’t matter if you have to piss around in the subterranean electronic music trenches for over two decades. a true pioneer simply has to live with that sort of dichotomy. here there are two good examples.

this is an album of deeply emotional music. it s not all heartfelt niceties and eye-welling moods though. rhythmic theory did after all come to light (or should that be dark) in the gloomy alleyways of uk soundsystem music begat from dubstep and all that other stuff. -creeper- is on hand to affirm that this is a record still steeped in true, stern moodiness, where a stalking sub line, some metallic percussion and an icy drone can still strike fear more than a thousand angry wobble basslines. it s worth noting how much attention has been given to shorter vignettes. as well as the aforementioned, cryptically titled -interlude-, -work of fiction- and -end (of forever)- both give insights into the places rhythmic theory cares to roam beyond the structure of a long form track. these are places where melancholic or downright ambiguous dispositions interplay with each other, from the synthetic to the earthly, the malevolent to the tender. in the end, even at its most monochromatic, nothing is black and white on rhythmic theory s debut album, and that s just fine with us.

fresh release. release fresh. fresh release. release fresh. you can adapt to styles - or you make styles adapt to you. this question creative is answered within the process of making. we are allowed to offer a new bt seleccion on this record. audio per te. un dolce. audio per te. un dolce. shout outs to the french touch: music wouldnt be the same without you! if you have a voice why not use it? big ben: there can only be one bell towers!

plugged - the reinvented 21 year old norwegian techno classic by mental overdrive gets full remix treatment by the main men involved in unfolding the expansion and remastering of this lengendary recordings: prins thomas and daniel blackbelt andersen ! plus theres an additional mo track here too: disto disco part 3! all available on full pupps techno not techno-offshoot rett i fletta!

the first r&b rec record is born from the encounter of two artists in the gloomy baltimore of the beginning of the millennium, after years in which their artistic roads proceeded in a very much parallel manner, without ever physically crossing paths, driven by their passion for analog instrumentation and the desire to find and create new rhythmics and sounds. it is in 2013 the two decide to join their forces to create their own personal vision of techno music and dance music in general. resulting in a hot and scratchy vinyl that combines dark, percussion sounds well known from detoit techno, with the sought after rhythmic of breakbeat and drum and base, of the british nineties. also packed with influences of acid-house, this record incorporates features of the so influential 80 s punk era, finally sinking it s roots in the psychedelic currents of the 70 s. the result is a brand new genre which is difficult, if not impossible to define. a unique way of defining dance music, in all its aspects, which is identified under the name of spaceship surgery techno.

played by: craig bratley, jonny 5, benjamin fröhlich, james friedman
gone beyond. that s what they say when an (astro) pilot crashes to earth and takes the journey into the big sky. when juan trippe took that last flight little did he know that his re-incarnated self would be an electronic pioneer. in tandem with his co-pilot guido zen (his own father also a pilot) and kyle martin (from the land of light) they formed brain machine and scaled the highest peaks to bring back music both unearthly and intensely human. are we all not stardust anyway? this music proves it, takes you out flips you over and rolls you in stardust. don t try and think it through, make sense of it, grasp it - just wander in wonder and bask in beauty. get lost again.

let’s go swimming announce their first release from mack ness. ‘inter-present’ is a lucid excursion into the more melodic, playful realms of house music. drawing on a carefully selected sound pallet of glistening ambient pads, deep-set harmonies and hazy, shuffling beats.

detroit wax presents the first ep of a series of three from the godfather of techno soul, eddie fowlkes. this first ep dw/0011, deep and classy, is a perfect introduction to the new direction eddie wants to take. four tracks that will bring you further into the groove, from a sweaty nightclub to a poetic walk in the woods. side a is designed as a wonder that starts with the perfect spell, sidea.(1)no worries, which creates a unique mood you want to listen to more and more. the second track sidea.(2)oriane is hypnosis itself like a long journey where dance lead to transe. side b is about dancing, first with sideb.(1)stella where the sound remind us of the classical french touch sound with the irresistible voice of eddie on top of that. the last track sideb.(2) imva is going through your body instantaneously and makes you want to let yourself carried by the music. a complete ep, which shows the versatility of the detroit artist, and will make you chilling as much as dancing!

for the first time vibraphone records is releasing a record by an artist other than the true underground sound of rome. for such an exclusive event there could have not been a better choice than italian dj/producer, nick anthony simoncino. for the production of this record, isole del tramonto (sunset islands) simoncino uses a selection of strictly old school analog synthesizers, and drum machines, which takes you on a charming magical journey through the mediterranean sea with pulsating minimal deep bass lines, oneiric harmonic textures, exotic tom tom patterns, hypnotic sexy and catchy grove beats. isole del tramonto is a record that connects and combines the essential elements and spirit of deep house music along with providing its visionary future.

if this record was a fruit, it would be two melons. but it’s not. it’s a compilation of four tracks by adryiano, monogenic, kastil and d.j. shmugs - most probably for club use. or work, if you are weird enough. tip: tracks so different you can secretly flip the record and play them all to save space in your record bag.

orbis x is a sublabel of orbis records and will be mainly focusing on softer yet often usable as dj material for the broader mass interested in electronic music. this sublabel is an extension of orbis records softer, more melodical and experimental side. music will be ranging from house, dub, chicago over melodic acid and even breaks. not any track makes it to this sublabel if it can’t stand on its own and stand the test of time!
already played & supported by laurent garnier, patrik skoog, marko nastic, jamie behan, patrick lindsey, martin landsky, ramon tapia, ...

those who preordered, do not have to do so again, we will contact you when we have stock! glenn underground debuts on deepartsounds with a thing of beauty. ltd 12inch check! contact (nova) is a high energy funky eclectic 2am dancefloor song with epic strings and it comes in two versions. this is the purest example of what soulful dance floor music is about.

bursting out of teenage normality in germany, 16-year-old david jackson is ready to release his first ep via blank. as a classically-trained musician, his unique and fresh sounding production work reflects a life-long involvement with various musical styles, ranging from the cello pieces he has been rehearsing over jazz to the world of techno which he is technically not even allowed to experience in clubs

audiohell has started his new vinyl only label bearing the name of his recording studio. this new project deviates from the musical genre of his historical label digital traffik recordings. -dreaming parmesan ep- is made along with his dear friend malatoid and contains 4 pure electronic tracks, full of moog sounds and melodic pads. on this amazing ep, audiohell & malatoid are back to the music scene with a massive analog sound dedicated to the most demanding dance floors... don t miss this new duo!

chicago veterans justin long and ken zawacki debut their circling vultures project on l.i.e.s. with three tracks of jackin mid-western techno. the duo sucessfully harness their influences from medusas and the warehouse techno scene of the 90s to create a beating high octane ep full of metallic synths and contorted rhythms somewhere along the lines of djax meets dan bell meets relief records. sure to be in all the bags this summer, this will not be the last you hear of this pair.

tzusing returns to l.i.e.s. with his third and (final?) name out of place ep after two now sought after percusors leading up to this one. again we are not disappointed as the massive opener face of electric hits hard taking a typical breakbeat formula and adding some sort of bizarre ritualistic element like the zulu nation or george kranz in a ceremony at a steel factory. emotional eater slows the tempo down, but again the machines grind hard with tinges of acid, heavy rhythms and sparse vocals moving in and out, while the closer r is a stripped down beater made for mixing. top stuff from the in demand producer.

a new split ep with 4 great techno tracks on children of tomorrow with the label boss arnaud le texier and new comer eric fetcher that signed lately on the great compilation on polegroup mixed by exium. and a solo ep on the sub label of polegroup calls aine. not to be missed! supported by : marcel dettmann, ben sims, efdemin, dvs1, slam, pfiter, francois x, darko esser, mental resonance, kr!z, rodhad, electric rescue, exium, etapp kyle, submerge, invite, maetrik, thomas hessler, joseph capriati, jonas kopp, jeroen search, marco bailey, philippe petit, miss sunshine, kobosil, joton, synthek, marcel fengler, mental resonance, luciano esse, the plant worker, truncate, dj krenzlin, savas pascalidis, antonio de angelis, paul mac, christian wunsch, shdw, keith carnal, mattias fridell, tim xavier, dr motte, etc

super deep chicago business from the mysterious doctor mixxx on the tiny, obscure trax offshoot zig-zag. originally released in 1993, this 3 track ep still sounds fresh today, in fact one could argue that people still try to emulate this style of chicago house music! deep, raw and oozing soul the 3 cuts on zig-zag 2 will definitely find a place in any self respecting house heads dj set. remastered & re-issued for 2016s dancefloors in conjunction with trax records, another dope rarity culled from the vaults - snoozing not advised!

deluxe double 12 inch edition, featuring the iconic “awesome mix vol. 1” on the first vinyl and the original score by tyler bates on the second.

great debut release and new label from a rubadub shop regular featuring tracks from shop regulars. tip. this first release is made up of 3 tracks from my friends and 1 from myself. there’s no concept here other than putting out music that was otherwise not going to see the light of day. the first track is by bleaker who put out a 12inch on unknown to the unknown last year, the second by miz aka big miz whos been putting out music on dixon avenue basement jams, the third by the burrell connection who has a release on west end communications and a track on a craig knows released compilation and the last track is from myself which got a play on big mizs boiler room set. these tracks were all sent to me around the same time and it felt right to make a place for them on a record. bleaker, miz and the burrell connection have all been making waves in scotland and beyond and these 3 tracks are proof that the attention is warranted. and i dont think my track is too bad either.

the good folk at kat records deliver release no. 28 in the shape of a 4 tracker of tasty audio goodness covering disco, boogie, house and a rather splendid leftfield number that defies any form of categorisation! hlb (henri le blanc) is the man behind these and deffo one to keep close tabs on! the a side covers of the disco,house element nicely with thunder and straight up boogie with loves comin. not direct edits, but reversions with elements added to spice up and delight. the flip is a hammond lead beauty with 2 tracks that lean slightly left of centre. country churches is a low slung deep house chugger that really does tease all the way and we finish things off with the ace touch my soul. elements of broken beat, soul and funk with a top vocal hook to set it off.

in 2015 musician, producer, dj, record collector and tigersushi head honcho joakim played for the first time at mareh festival in boipeba, brasil. like many before him and many since, he found the experience a transformative one. and why not? so many like-minded souls gathered together on a remote island in bahia listening to the sounds of amazing djs while dancing barefoot in idyllic coastal settings all night long. what s not to like? it s quite a concept. in the moment of that experience, joakim vowed to head straight to the studio on his return home to try and recapture that magical vibe, which he did. and true to his word he offered it back to mareh for release on their imprint. a musical gift from the heart. the wonderful percussion and drums characteristic of joakim s productions drift in and around the mix and sit gently alongside the sound of the waves. beautiful arps reach out and capture the glittering stars at night and the first glorious sign of light at sunrise as the party continues. underneath everything the bassline continues to punch through, blending primeval carnival vibes with an electronic sensibility. lovingly mastered and beautifully pressed onto 10 inch vinyl in manila covers, this limited edition release is worthy of any record collection. it also represents a little piece of the magic that is boipeba, and will certainly fit perfectly into those balearic and adriatic settings too.

the find of the year? hidden amongst the master tapes for that roberta flack song written by stevie was stevie s own guide vocal, never heard of until now.. not just a basic guide vocal, but a full on, passionate stevie performance that makes this sound like a long lost stevie classic, overshadowing roberta s sweet vocal delivery, taking this soul masterpiece to new heights. with stevie on drums and keys also, the master at the top of his game. on the flip side, a classy slice of philly disco, reflexed without the rather dated and cheesy linda clifford song, focusing on the killer grooves and morphing it into a horn / guitar riff laden track, hands in the air style!

medical records presents the second release in our transfusions 12- singles series. not too far from medical s headquarters in seattle, resides josh rose aka derivatives in vancouver, bc. known for intense live hardware sets, derivatives has been making waves in the pacific northwest playing alongside multiple notable producers who have toured the area. transfusions presents the first release by derivatives containing 4 distinct and uncompromising tracks that could be loosely associated with minimal techno but with a more complex and certainly darker edge. the tracks were recorded late 2015 in vancouver. for fans of labels such as token, mote-evolver, and avian, you should dive in. presented on classic 160gram black vinyl in our transfusions 12- sleeve. mastered by martin bowes at the cage studios, uk.

straight, unadulterated, chi-town box jams from the mighty chris bam-bam westbrook! this is that 1988 flavour, raw acid, punishing drum machines, the unmistakable sound of warehouse parties, darkened dance-floors and smoke machines in overdrive. often imitated, never bettered, the real deal! one of many classics from bam-bam s impressive back catalogue give it to me is tough, sexy and jacking and still sounds like it weighs 1000 tons over 30 years (!) since its original release. reissued here in its original form on the westbrook label for 2016. fully licensed and remastered with the full consent of bam-bam / westbrook records. do not sleep on this chicago acid house killer - essential stuff!

lumièreslanuit is glad to welcome istanbul-based duo bärtaub (mutlu san & batuhan güler) for the 6th release of the label. as in most of the duos, each of the members has his speciality. whereas mutlu focuses primarely on the music production, batu is known by istanbuls house/techno aficionados as a restless dj. bärtaubs debut ep is called rhizome (type of plant root) not without reason. beats, melodies and bassline jump over, crawl under and draw apart from each other in unexpected and non-hierarchical ways. in the end, they all come together in a harmonious manner that creates an overall of excitingly playful forest-like atmosphere.

broken body is the follow-up to 2015s do it again single. this two-stepping banger is dripping with 90s retrofuturist sensualism, a heady and visceral latin jazz-tinged house track with a back beat guaranteed to get the dancefloor jumping. alister s trademark synth flourishes mingle with the vocals of returning collaborator rahan boxley, creeping into the mix with that repeating hook of jump on in, slim. when the beats are this infectious and the melodies are this strong, it s hard not to obey. on the flip side, you ll find the deep vibes of -ago-, an analog electronic freight train with a touch of acid mysticism, as well as -endgame-, an ethereal creeper replete with rolling arpeggios and drum machines. alister johnson is a staple of the toronto dj community and has commanded decks as far afield as the us, the eu, and south africa. his diverse production c.v. includes work for dinamo azari as well as the polaris-nominated zaki ibrahim. keep your ears on alister johnson, this is just the tip of the iceberg.

voodoocuts kicks off the a-side with kelja , a raw 70s afro-funk bomb from the ivory coast. the american-funk inspired tune features a funky bassline & killer organ vibe, mingled with a dirty, raw saxophone line and james brown influenced vocals. voodoocuts rework turns the track into a serious dancefloor banger! in the tortoise loop voodoocuts blends an infectious groove with pounding drum breaks and hypnotic vocals. a hot afro-latin joint not to be missed! on the flip soulbrigada takes things to a disco tip. hustleman is a stunning afrofunk & disco gem from west africa. the second track madera is an afro-disco gem with a compelling cape verdean groove. soulbrigada rearranged the tracks, added drums, samples and effects building a brigde between past and present - without ever losing its original organic vibe. two essential tunes for your record bag!

they say you have your whole life to make your first album, years upon years of growth, learning and experience filtered into one perfect record. your debut is supposed to be the one you labour over, while the follow-up is meant to be served up within spitting distance of the last. well, not if you’re london based wild palms. “we did that in reverse,” explains the band’s sardonic, quick-witted frontman lou hill. “the first album was just the songs that we would play live, we wrote it really quickly. but this one took ages...” five years in fact.
recorded by the band in the same self-built manor house studio where they made their 2011 de-but ‘until spring’, the new album ‘live together, eat each other’ is a lusciously layered offering of hazy experimentalism and off-kilter alt-pop, that follows in the auspicious lineage of beach house, cocteau twins and tv on the radio.
the vinyl lp is housed in a gatefold sleeve with download code included.

the first release from iridite in 8 years sees them returning to their roots with a multi artist release of glasgow house and techno at its finest. the fourth release on iridite from simplon does not disappoint deeply unusual but emotionally charged techno, it twists and turns throughout and bears repeated listening to fully understand it’s depths. for fans of shake, terrance dixon, model 500 and futuristic sounds. fresh from his two releases on the nuclear family, laurence hughes revives his elijah moniker for the most dancefloor friendly track on the ep. label boss jason brunton heads up the rear with january, a deep slice of spaced out four/four action with a sting in the tail.

favorite recordings presents this new official album reissue of shine the light of love by googie & tom coppola: a beautiful soul album sublimely produced with a sweet la groove! thomas wilkinson coppola (aka tom coppola) is a pianist and arranger, known for being a principal member of the funky prog-jazz group air (not to be confused with the french duo). he began working as a musician in manhattan in the 1960s, where he met carolyn brooks (aka googie coppola). if they only released one self-titled album with air in 1970, and shine the light of love as a duo in 1980, these two amazing talents have collaborated with artists such as herbie mann, lenny white, flora purim, ray barreto or jeremy steig to name just a few.

we are proud to announce a new member to the echocord family, we have signed the super talented tomas rubeck. he is known for his releases on labels like, animal farm, amadeus, fifth interval, telrae and more. based in the midlands (uk) where post industrial decay fringes with an idyllic rural backdrop, it may not be too much of a surprise as to where aspiring artist tomas rubeck takes his lead on inspiration for his music. with an ear for detailed production and a self confessed perfectionist when it comes to sound design and artistic flare, its clear as to why his records seem refreshingly different. his first ep on echocord contains 3 heavy powerfull dubby tracks, all for the dancefloor.

monoton ‘monotonprodukt 02’, also known as mp02, is the debut album of austrian electronic maverick konrad becker. out in 1980 it was a precursor of the minimal techno dub sound that was starting to be popular more than 15 years after. the album has been reissued by desire a couple of years ago and a new pressing is in the work. anyway it’s time to launch a remix ep with new (and not so new) producers giving crédit to the work of the austrian master. on the a side we find 3 new artists paying their dues : sergie rezza, whose debut album out on desire was critically acclaimed, abdulla rashim (abdulla rashim records / northern electronics / semantica) and also opal tapes’ boss stephen bishop own basic house. the b-side is a great megamix of the album tracks by the one and only ambient/electronica veteran scanner !

ok, we have to admit that we could not resist to include -chances are your dance is mine on our latest feeling nice 3 compilation album before re-releasing it on 7inch. despite the fact that the original 45 is already quite in demand in collector circles we are sure that there are many people out there who have never heard about rickey andrews. much more important for us is that this re-issue is a welcome opportunity for the not-so-rich music lovers who do not spend hundred of $$$ for vintage vinyl records. thats our mission and that s what rickey andrews and his music definitely deserves.

zk bucket with his label zaun is the newest addition for our distribution. his first release contains four dark tracks to get lost in. -kutsche- drives you into the night and -reptile wins- is the last track before losing consciousness. dixon has played -let your body ctrl the beat- for some weeks now and if kristian opened panoramabar for one time and not like always closed it you could hear him playing some downtempodarkness too.. now this is finally available for everybody!! lennart

2016 repress - 250 copies only. after the success of his smack release on versatile, maghreban returns with 3 tracks for the label. all of them are quite different. i m not gonna describe them all here… here are some adjectives who will help you to catch the vibe : b-boy house / rough / jackin / early techno influenced / esg / deep / k7. all i can say is that ayman has a special approach to house music, probably influenced by his hip-hop roots as a producer. lots of cuts, breaks and raw sounding for maximum floor effect.

crimes of the future rounds off the year in fine style with an absolutely essential ep from twins. 3 moody us house cuts straught out of atlanta and a sublime deep remix from label boss scott fraser. opening up with cause of dissociation, a slice of banging chicago house that would not have been out of place in the hands of mike dunn at the warehouse. rattling drums amd percussion a cut up vocal and a killer bassline make for dancefloor devastation. next up -you take too- takes things a little deeper, maintining the groove with chicago inspired percussion and filtered drums and stabbing synths grooving the track along. over on side b scott fraser takes -you take too- on to 5am on a dark smoke filled dancefloor, with a deep bassline and soaring strings. adding additional percussion, keys and swirling echoes... could be the sound of a lost nu groove classic. finally things close out with -a way from now- with more chicago inspired goodness with a funky bassline, pumping percussion and eerie ethereal keys rounding the ep off in fine style.

hotflush recordings is delighted to announce the arrival of a second full length from sepalcure, the american duo made up of travis machinedrum stewart and praveen braille sharma. arriving four and a half years since their acclaimed debut, 11 track album folding time is a singular and tender statement that lands in may 2016.

sender has finally reached the big milestone with its catalogue number 100. what a ride it has been through the past 16 years! on this occasion we proudly present a special selection of tracks and collaborations produced by label-head benno blome. a series of tracks, or rather a series of night shots. shots taken in the absence of daylight, capturing raw b/w-stills of spirit and drive. the first night shot (send100.1) is coming with a stunning original version of >check check< by benno blome featuring vox by konrad cadet aka baby ford on side a, and two strong remixes by mihai popoviciu and dub taylor on the flipside. mr taylor is also known as tigerskin, not only on sender’s catalogue. a lot more to come soon...

outta sight setzt seine serie mit lp-samplern zu legendären northern soul-clubs fort. diesmal wird das central drive in blackpool und seine kult-djs ian levine und colin curtis mit 13 legendären northern soul-tracks aus der hochphase des clubs zwischen 1971-1979 geehrt. mit ausführlichen liner notes von ian levine.

*michael ferragosto is back on italy s own dog in the night label with four new twisted psychedelic house cuts. as usual we hear the artist taking the traditional blueprints of chicago house and putting his own signature chops to it resulting in a bizzare mix up of jacking madness that will get the floor going wild. amazing stuff that is not to be missed

aus music exultantly welcome a fresh signee into the fold in the form of extolled and accomplished producer recloose. with a 12inch that marks the end of a three year production intermission, the planet e and rush hour great readies‘honey rocks - a glowing three-track ep that demonstrates the unwavering talents of a producer with 20 years experience in the game. having entered a new phase of his career in 2014 propelled by a move to brooklyn, the nomadic producer continues to develop a hugely impressive discography thats included remixes for herbert, motor city drum ensemble, funkadelic and mj cole as well as four full-length lps and numerous eps on labels such as peacefrog, planet e and sonar kollektiv. honey rocks brings together three deftly structured dancefloor tracks. all as jubilant and groovy as each other as soul, funk, disco and classic house sounds are melded with ineffable flair and skill in a record that reaffirms aus musics status as a label capable of not only maintaining consistency but also keeping listeners guessing.

without coverartwork - emmanuelle returns to deewee with an italo influenced 12 inch produced by david and stephen dewaele of 2manydjs / soulwax and recorded at deewee studio, gent. luomo daffari sees emmanuelle swich between her native italian tongue and english advising you to not hide behind that suit and tie. if tom tom club hung with aphex twin in the hills of naples in 1980 they may have arrived here. italove is pure dancefloor magic. syncopated rolling synths with emmanuelle as chanteuse again cutting between italian and english to the sound of disco and harps. its a beautiful thing. she loves you. sleeve design by ill studio, paris.

archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels audio tracks are remastered in their original form, the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time. all releases are hand-numbered limited edition vinyl. the first 100 copies of each release are pressed in coloured vinyls. this release is individually 500 hand-numbered limited edition. the first 100 copies are pressed on white vinyls (lp ar007).